Monday, November 30, 2015

Snowy Owl Finished


Now that is one fluffy (and probably cozy) snowy owl.  Progress is slowly being made, I learn a little more about gouache each time I paint with it.

I started with a preliminary wash of watercolor across the paper, to set the mood and give me a background that wasn't blinding white.  (Blank white is intimidating to paint on, and makes it harder to see the real hue and value of your first layers, which makes eyeballing, er, planning your painting a little more difficult.)  I laid the very first layer of the owl in with watercolor as well, getting an idea of how I wanted to put the gouache down.  With the watercolor as my guide, I divided the base colors of the owl into zones, outlined them in my first layer of gouache (kind of like paint-by-numbers) and then filled them in with the second layer.  I laid a third brighter gouache layer over the base layer, and the fourth and fifth layers blurred together as I diffused the owl's outer feathers, adjusted the lighting, added the stripes, and covered up the remnants of the previous layers.

The GIF I created by following the extremely handy and hitherto unknown Photoshop technique demonstrated by illustrator Howard Lyon over here.  It centers your process images and makes the GIF animation a lot nicer.


Monday, November 23, 2015

Snowy Owl WIP


It looks really abstract at the moment, but by next weekend this will be a snowy owl fluffing itself out against the winter cold.

Monday, November 16, 2015

Sketches 11/16/15: Construction Workers


Trying out my new marker in my new sketchbook.  Also put the reference photos of construction workers and their equipment I have on my hard drive to use.



Monday, November 9, 2015

Smoky Sunset


If you passed through Oregon or Washington this summer, you might have seen the smoke clouds from the wildfires.  They grayed out the sky for a few days, depending on location.  Portland was fogged over for a bit; middle Oregon was too.

This is out in the middle of Oregon, in the surrounding country around the Smith Rock park.  This gouache painting is based off one of the photos I took, looking out from a hilltop across a hazy countryside, populated with skeletal trees, and with a hint of burning firewood in my nose from the constant smoke.

It was almost apocalyptic in feeling.  While I don't know if that quite made it into the painting, working with gouache is getting easier, bit by bit.

The reference photo.

Monday, November 2, 2015